Healing Arts


The photo above is from the grand opening of the Moses Cone Cancer Center for which I was asked to contribute a painting. The triptych, "Always Watching Over," was placed on the main level, next to an elevator that is used to take patients to the basement or second level for treatments.
I was told by several staff members that the area picked for my painting is one of the most visible areas, and that every patient and employee will see it.
I was also told that my painting is already a favorite of many people on staff at the cancer center, and that seeing it brightens their day.
I was on hand at the event for nearly four hours, talking with visitors. It was a proud moment and I appreciate the visit from Kimberly, Josh, Tate, Grant and Brenda. And from my boss, Doug.
I was able to talk with several other artists and saw some really impressive work, particularly the butterfly sculpture on the roof of the facility. Amazing work.

The Winter of My Content


Here is a new painting I'm calling "Red Birds on White." I guess I could call it "Red Birds in Winter," so maybe this painting will have two names. As much as I like the colors I usually use, I can appreciate how the use of white emphasizes negative space. It has a very modern look to it -- like something you might see in a high-end contemporary apartment.

I've been somewhat busy lately, trying to pull together an inventory of work. I sent an application to be considered for Artsplosure, an annual two-day arts event in downtown Raleigh in late May. I won't know whether I'm accepted until late February. But I have very little time to waste. Since it's a two-day event I want to make certain I have plenty of artwork on hand (including "Red Birds on White/in Winter"), just in case I do really well.

Thanks for stopping by. Please feel free to comment.

This painting has sold.

Late Bloomer


A co-worker of mine approached me in August about doing a painting for her. "Flowers!" she said. "Bold, colorful flowers."
I thought flowers wouldn't be difficult: I've done boats, birds, a port, apples and pears. How hard could it be to paint flowers? I was so naive.
While I did have an art show and a project or two for fundraisers sprinkled in, it took me almost five months to finish this flower painting. I brought it to my co-worker and she loves it. In fact, everyone who saw it said it said I did a great job and that the flowers (I chose hydrangeas) were realistic and all of the colors were vivid and bold.
In the end, I really like it. I'm proud of how it turned out. I battled this painting and stopped working on it several times to keep myself from tossing the canvas onto the street. In the end, a simple suggestion from Kimberly saved this painting: add a vase.
I painted the vase, or pot, and eliminated a few of the low-hanging blooms. Suddenly the painting had an anchor and an object to redirect the eye from the overpowering mound of blooms.
I added texture, highlights and shadows to the vase to give it a rounded look. I was proud to put my name on it.